Robbie McClaran

Stop Keystone and The Tar Sands

A few weeks ago President Obama announced he would delay a final decision on the Keystone pipeline for one year. Now in a cynical political move Republicans are attempting to attach Keystone to the President’s jobs bill. This is a terrible plan and should be scrapped. Not only would the building of the pipeline itself cut a swath across six states, cross major rivers and threaten critical drinking and agricultural water sources, it says nothing of the oil it would transport.

Of course major oil companies and construction conglomerates such as Bechtel think it’s a great idea. It could certainly be argued that the enormous pipeline project would create jobs, but a deeper investigation would reveal the trade off would simply not be worth the ultimate price. Keystone would transport oil produced from Canada’s tar sands and while I’m certainly not opposed to some of the benefits of reducing our dependence on oil from the middle east, this is not the kind of oil we need to be producing.

I visited the Athabasca Valley region in Alberta, where the major tar sands production takes place, three years ago on an editorial assignment for Bloomberg Markets Magazine and what I witnessed shocked me. This is a near zero gain, environmentally devastating process. Let me explain.

The first step is the virgin boreal forest must be clearcut. The land is then strip mined for the sand which has oil embedded in it. Trucks transport the sand to processing facilites where the oil is extracted essentially by super heating with steam. It requires massive amounts of fresh water taken from the Athabasca River only a tiny fraction of which is clean enough to return. The toxic water left behind, some 90+% is then pumped into massive tailing ponds, some of the largest structures ever built by humans, currently covering 50 sq miles and easily visible from space. These massive toxic lakes of tailings are deadly to migratory waterfowl, killing thousands annually.

As if this weren’t enough the process produces three times the carbon emissions of normal oil extraction. The natural gas used to process tar sands in one day could heat 3 million homes. Considered too expensive previously oil produced from tar sand has only in recent years become feasible, due to high worldwide oil prices. I won’t venture what role our middle east wars have played in raising the price of oil but the connection seems obvious.

Coming from someone who drives a car, rides motorcycles and takes an occasional airplane, all this criticism might sound hypocritical. But building the Keystone pipeline will hand oil companies an incentive to expand production of this dirty oil, further increasing carbon emissions, keeping oil prices inflated and doing nothing to solve our dependence on oil. Our entire economy may be based on petroleum consumption but we’ve got to find a better way than this.

For more reading, John Lippert’s excellent story in Bloomberg can be found here: http://www.bloomberg.com/apps/news?pid=nw&pname=mm_0308_story1.html

National Geographic has another excellent story here: http://ngm.nationalgeographic.com/2009/03/canadian-oil-sands/kunzig-text/1

posted by robbie

December 8th, 2011 at 1:11 pm

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This Is The What

Kate Osba writes a terrific blog, called This Is The What where she features interviews with photographers along with samples of their work. I’m very flattered to be included today. Read the interview here: http://www.thisisthewhat.com/2011/09/10-minutes-with-robbie-mcclaran/

posted by robbie

September 20th, 2011 at 12:11 pm

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Disfarmer

Andy Adams recently posted a query on Flak Photo Network (Facebook) asking if there were any Disfarmer fans. I sent him this message:

Re: Disfarmer, long story
I first discovered his work in about ‘76 when I was a photography student and it had a great impression on me. I was studying at Visual Studies Workshop at the time but my family owned a cabin in the Heber Springs area (I grew up in southern Arkansas). For years I thought about going back to Heber Springs to pursue a project to re-photograph some of his original subjects, but I never pursued it. Then in 1992 I mentioned the idea to a friend who was also a fan of his work. My friend convinced me I should try to do it, so I got a Heber Springs phone book and indeed found a number of the original subjects listed. I made a plan to spend a month there doing some initial work on it, so I loaded my truck and drove to Northern Arkansas from my home in Oregon in early June of 92.

On arrival I made a phone call to the first person listed in the phone book. We spoke and I explained what I wanted to do, to photograph some of Disfarmer’s original subjects in a fashion as similar to his as I could repeat. The man replied “Oh, like that lady from New York did”. I said “What, who?” He said, “Oh yeah she lived here for more than a year and took all kinds of pictures of us Disfarmer folks” (paraphrasing). “There’s a collection of the pictures down at the art center”.

So I headed down there and sure enough a woman by the name of Toba Tucker had done the very project I had envisioned. I was crushed. What made it all the worse, is knowing I had sat on the idea for 15 years. A lesson of some kind I suppose.

I was crushed by the discovery of her project but in a weird way I was relieved, to not face the possibility of failing in my own effort. His influence certainly lives in my work, especially the Delta portraits as well as other portrait work.
Anyway, that’s my Disfarmer story.
Cheers,
Robbie

posted by robbie

September 19th, 2011 at 1:05 pm

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What Makes This Place Great

A recent project completed for Tri-Met, working with Josh Berger (of Plazm fame), Doug Lowell, Sarah Cline and Camela Raymond at ID Branding. Still photographs are edited into short video clips accompanied by interviews with the various subjects. See the videos here:
http://whatmakesthisplacegreat.com/

posted by robbie

September 19th, 2011 at 12:52 pm

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It’s been a busy Summer…….

A few recently published assignments,
Tad McGeer founded Aerovel which designs and builds unmanned aircraft out of a converted home near Bingen Washington, for Smithsonian. Link: http://www.smithsonianmag.com/science-nature/Drones-are-Ready-for-Takeoff.html

Portland timbers owner Merritt Paulson, for ESPN the Magazine:

Bandon Dunes Caddies, for Sports Illustrated:

posted by robbie

September 19th, 2011 at 12:42 pm

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Notes From Photolucida

Another Photolucida has come and gone and once again my head is reeling with all the great work I was fortunate to be able to view. As with any organized review there was a wide range of work from artists of varied backgrounds and disciplines, people pushing the outer limits of technology or using antique methods to achieve their own visions. It can be overwhelming and often I found myself at a loss, lacking the vocabulary to speak intelligently about images that come from places so far outside of my own sensibilities.

As a roving reviewer I spent Saturday and Sunday looking at bodies of work from a wide range of photographers, conceptualists, documentarians and most everything in between. I probably saw probably 20 or so photographers, here are a few highlights:

Wendy Sacks’ haunting, stylized images of children floating in water reflect death & loss: http://web.me.com/sacksw/Wendy_Sacks_Photography/Welcome_1.html

Jeffrey Sauger’s long term documentary on black farmers: http://www.wherefurrowsrundeep.com/

Michael Tummings series on European hunters: http://www.fractionmagazine.com/artist/michaeltummings

Thomas Michael Alleman was in town showing Sunshine and Noir. We’ve known each other for many years via Bigshot Stock Was good to share a beer and stories in real life with him, but unfortunately I wasn’t able to see his prints. All the same take a look here: http://www.sunshineandnoir.com/

I was also lucky to meet Jamey Stillings and he showed me his fantastic series on the construction of the bridge at Hoover Dam. I had seen a couple of prints in conjunction with group shows and parts of the project on the web but seeing the real prints was simply amazing. http://www.bridgeathooverdam.com/

Saving my favorite for last, Jennifer B. Hudson produces elaborately staged and stylized images that are so stunning I was simply left speechless. I pronounced her an up and coming rock star in the photo world and expect to see her work everywhere soon. See samples here: http://www.jenniferhudsonfineart.com/#home/

It’s such a treat and truly humbling to see so much great work being done by such a varied collection of artists and reaffirms my love for the medium. Thanks to Laura Moya and Shawn Records for letting me review work.

posted by robbie

April 18th, 2011 at 2:39 pm

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Susan Seubert @ Froelick

I’m really looking forward to seeing Susan’s newest work tonight at Froelick Gallery. Anyone coming into town for Photolucida should make it a point to see it.

posted by robbie

April 6th, 2011 at 9:52 am

Posted in Miscellaneous

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Richard Prince loses one.

Readers of my blog know my feelings about so called “appropriation art”. So I’m happy to read that Patrick Cariou has won his lawsuit against Richard Prince. Congratualtions Mr Cariou, let’s hope the lawyes don’t file an appeal.
Article here:
http://www.theartnewspaper.com/articles/Patrick+Cariou+wins+copyright+case+against+Richard+Prince+and+Gagosian/23387

posted by robbie

March 25th, 2011 at 11:35 am

Posted in Miscellaneous

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The Capitol Collection

I spent yesterday in Salem at the unveiling of the Oregon State Capitol Collection. My 1997 portrait of author Barry Lopez now hangs in a hallway on the Capitol’s second floor. It’s humbling to have my work included alongside so many art world luminaries and to know this portrait will live on for future generations in my adopted home state.

posted by robbie

February 15th, 2011 at 12:07 pm

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Art of the Time – Oregon’s State Capitol Collection

I’m honored and humbled to be included in this collection of works acquired on behalf of the State of Oregon to be displayed at Oregon’s State Capitol.

posted by robbie

February 14th, 2011 at 12:00 pm

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